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Piano Reviews

Professional reviews and ratings of pianos we have tuned, restored, and sold.

Total Reviews
42
Average Touch
40.4/100
Average Tone
41.3/100
Pianos Reviewed
16

Yamaha U1

Upright • 1982
Sep 22, 2026
Touch (1–100)
66/100
Tone (1–100)
72/100
Overall
69/100
Sep 18, 2026
Touch (1–100)
64/100
Tone (1–100)
68/100
Overall
66/100

Yamaha U1

Upright • 1972 • Hamamatsu, Japan
Sep 11, 2026
Touch (1–100)
68/100
Tone (1–100)
70/100
Overall
69/100
Sep 11, 2026
Touch (1–100)
70/100
Tone (1–100)
76/100
Overall
73/100

Yamaha

Upright • 1973 • Hamamatsu, Japan
Sep 11, 2026
Touch (1–100)
75/100
Tone (1–100)
80/100
Overall
78/100

Yamaha U1

Upright • 1974 • Japan
Aug 25, 2026
Touch (1–100)
59/100
Tone (1–100)
55/100
Overall
57/100

Yamaha U1

Upright • 1974 • Japan
Aug 25, 2026
Touch (1–100)
63/100
Tone (1–100)
57/100
Overall
60/100
Aug 21, 2026
Touch (1–100)
40/100
Tone (1–100)
31/100
Overall
36/100

Customer Piano

Customer tuning
Jul 16, 2026
Touch (1–100)
74/100
Tone (1–100)
75/100
Overall
75/100
Potential if fully restored (1–100)
76/100
Comments
This is a pretty excellent piano. It's very similar to a Yamaha U1. To tune the stability, it's a little bit hard to work with the purity of the notes. Maybe the bridge, not sure what that is. Maybe the posts. Lovely tone, even, balanced, and a very responsive piano. It's very close to a Yamaha U1.

Pearl River GP142

Grand • 2002 • Pearl River, China
Jul 16, 2026
Touch (1–100)
44/100
Tone (1–100)
38/100
Overall
41/100

Mason & Hamlin 50

Piano • 1975
Jul 2, 2026
Touch (1–100)
49/100
Tone (1–100)
56/100
Overall
53/100
Potential if fully restored (1–100)
63/100

Knight K16

Upright • 1953 • United Kingdom
Jun 17, 2026
Touch (1–100)
54/100
Tone (1–100)
63/100
Overall
59/100
Potential if fully restored (1–100)
67/100
Design / features
No break in the bridge makes this an interesting design.
Comments
Older Knight model, not quite as refined as model K10 or K20 I deffer to Marcus Roberts my father for the proper assessment, good quality, touch leaves a little to be desired, but good piano tone for the size no break in the bridge makes this an interesting design.

Kawai UST7

Upright • 2002 • Hamamatsu, Japan
Jun 8, 2026
Touch (1–100)
66/100
Tone (1–100)
67/100
Overall
67/100
Potential if fully restored (1–100)
72/100
Comments
Has heavy keys due to dampers coming off too early.

Kawai UST7

Upright • 2002 • Hamamatsu, Japan
Jun 8, 2026
Touch (1–100)
61/100
Tone (1–100)
68/100
Overall
65/100
Potential if fully restored (1–100)
68/100

Baldwin Model M

Grand • 1978 • USA
Jun 3, 2026
Touch (1–100)
71/100
Tone (1–100)
78/100
Overall
75/100
Potential if fully restored (1–100)
79/100

Kawai KL703

Upright • 1980 • Japan
May 27, 2026
Touch (1–100)
72/100
Tone (1–100)
70/100
Overall
71/100
Potential if fully restored (1–100)
74/100
Comments
Lovely piano needs new castor cast as the wrong size tone is sweet not too bright not too mellow balance very well and action feels very fluid

Zimmermann

Grand • 1984
May 18, 2026
Touch (1–100)
43/100
Tone (1–100)
46/100
Overall
45/100
Potential if fully restored (1–100)
56/100
Design / features
Basic design and build German piano was mass produced lost to cheaper mass produced Asian pianos similar quality

Pearl River GP142

Grand • 2002 • Pearl River, China
May 18, 2026
Touch (1–100)
62/100
Tone (1–100)
42/100
Overall
52/100
Design / features
Moderate effort went into materials labor yet touch is very good.
Comments
A entry level baby grand piano from Chinese factory part owned by the communist party. Inexpensive better than spinets and consoles and in good condition better than unrestored grands yet not like Japanese labor or better Chinese factories.

Customer Piano

Customer tuning
May 18, 2026
Touch (1–100)
53/100
Tone (1–100)
53/100
Overall
53/100

Customer Piano

Customer tuning
May 14, 2026
Touch (1–100)
80/100
Tone (1–100)
79/100
Overall
80/100
Queued
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